Marking Time: Art in the Age of Mass Incarceration
Marking Time: Art in the Age of Mass Incarceration
This exhibition highlights artists who are or have been incarcerated, alongside artists who have not been incarcerated but whose practices expose aspects of the carceral state, exploreing the impact of the US prison system on contemporary visual art.
FREE
Schomburg Center for Research in Black Culture
May 01, 2023 to December 04, 2023
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Exhibition Details

This exhibition, presented across three galleries—Latimer, Exhibition Hall, and Media Gallery—highlights artists who are or have been incarcerated, alongside artists who have not been incarcerated but whose practices expose aspects of the carceral state. Seen together, their works reveal how punitive governance, predatory policing, surveillance, and mass imprisonment impact millions of people. Art made in prisons is crucial to contemporary culture, though it has been largely excluded from established art institutions and public discourse. Marking Time aims to shift aesthetic currents, offering new ways to envision art and to understand the reach of the carceral state on life today.

Artist Details

Forty artists appear in Marking Time, including Cedar Annenkovna, American Artist, Mary Enoch Elizabeth Baxter aka Isis Tha Saviour, Sara Bennett, Kristina Bivona, Conor Broderick, Keith Calhoun & Chandra McCormick, Susan Lee-Chun, Daniel McCarthy Clifford, Tameca Cole, Larry Cook, Russell Craig, Halim Flowers, Henry Frank, Gwendolyn Garth, Maria Gaspar, Dean Gillispie, Ronnie Goodman, Gary Harrell, James "Yaya" Hough, Ashley Hunt, Jesse Krimes, William B. Livingston III, Mark Loughney, Ojore Lutalo, C.A. Massey, George Anthony Morton, Ndume Olatushani, Jesse Osmun, Jared Owens, Kenneth Reams, Rowan Renee, Gilberto Rivera, Billy Sell, James Sepesi, Sable Elyse Smith, Todd (Hyung-Rae) Tarselli, Jerome Washington, and Aimee Wissman.

Location

Schomburg Center for Research in Black Culture
515 Malcolm X Boulevard
(135th St and Malcolm X Blvd)
New York, NY

Image: Artist George Anthony Morton working with a portrait sitter / courtesy of Schomburg Center