Early on, Saint Phalle pushed against accepted artistic norms, creating artworks that used assemblage and performative modes of production—such as shooting at her canvases–as well as large-scale sculptures like her Nanas. From the late 1960s onwards, Saint Phalle expanded her practice to include architectural projects, sculpture gardens, books, prints, films, theater sets, clothing, jewelry, and, famously, her own perfume. This exhibition foregrounds the artist’s interdisciplinary endeavours, focusing on the visionary architecture and utopian sculpture environments that formed the core of her later work.